TEMPORAL PROJECTS

Transformer facilitates broad collaboration and responsiveness to the needs of artists, emerging curators, artist co-ops, collectives, and emerging arts initiatives through a variety of temporal projects to incubate developing and short-term projects that might not otherwise receive support.


Providing space, networks, financial investment and more to a growing list of artists and international collaborators, Transformer’s temporal projects embrace and foster nimbleness, fluidity, inventiveness, and collegiality in support of artistic experimentation. 


2024

  • Taste of Iceland Washington, D.C. / PIZZA TIME WITH FLÉTTA AND ÝRÚRARÍ

    March 8, 2024

    A collaboration between Transformer and The Embassy of Iceland

    Icelandic design teams Flétta and Ýrúrarí will open Pizza Time, co-presented by Transformer, a Washington, D.C.-based 501c3 non-profit visual arts organization that connects, elevates, and serves a diversity of emerging artists across innovative global exhibition and program platforms. Guests can order freshly felted wool pizza slices made of leftovers from the Icelandic wool industry. This

    The scene of the design performance is built like a small pizza place where customers can see the felted pizza slices being made. Guests can participate by ordering a slice from the menu or selecting toppings to customize the order to their taste and bring home a one-of-a-kind wool pizza slice.

2023

  • PARACAS | MARCELO TOLEDO

    STOREFRONT EXHIBITION PRESENTED IN TANDEM WITH
    THE INVINCIBLE VISIBLE BENEFIT EXHIBITION & ONLINE AUCTION
    NOVEMBER 2023

    Marcelo Toledo is a multifaceted Argentine artist. From an early age, Toledo was attracted to the universe of metals in general, becoming the most prominent reference in his country. He works in design, goldsmithing, jewelry, ceramics and textiles. Several years ago he decided to transmute the traditional goldsmithing technique into works of contemporary art. At this time he made works with textile techniques from indigenous peoples, using metal and natural fibers as a common thread that connects us from the past to the present, transforming them into large-format works and installations in public spaces. His conceptual approach is aimed at topics of great social impact such as diversity, gender and sustainability since his works are also made from metals and waste materials, giving these materials a second life. The textile works made with natural fibers from aboriginal communities from different regions of Argentina. Toledo held individual exhibitions in different museums and galleries around the world. His current objective is to be able to reverse the past by conceptually alchemizing it so that it is reflected in the future.

2022

  • THE NOMADIC HOUSE PROJECT [ACTS OF REMEMBERING AND FORGETTING]

    JUNE 4 – 30, 2022

    A collaboration between Transformer and The IceBox Collective.

    The Nomadic House, as a symbol of home and shelter, evokes issues emerging around quarantine, climate crisis, conflict, and displacement. The concept of home, homelessness, transience - being rooted or unrooted - are increasingly threatened, as we watch the war in Ukraine unfold. The Nomadic House can manifest as a mobile shrine, a contemporary museum, a community space, a meditation space, a place for critical thought and healing dialogue.

    Transformer is providing an activation site for The Nomadic House, collaborating on programming to catalyze dialogue and action to benefit the victims of the war, both in the immediate and in the aftermath when the conflict no longer occupies the headlines, supporting displaced communities and people trying to restart their lives.

  • HARDCORE: PAST/PRESENT/PUNK SPRING/BREAK ART SHOW LA

    February 16 – 20, 2022

    Featuring photographs by Leslie Clague, Cynthia Connolly, and Farrah Skeiky

2021

  • FlatFile Pop-UP with LIBBY RASMUSSEN

    AUGUST 28, 2021

    Transformer presented an indoor/outdoor FlatFile pop-up sale on Saturday, August 28, 2021. This event was co-hosted with Libby Rasmussen. Artworks in a variety of mediums including: photography, printmaking, painting, drawing and mixed media works on paper, were available for sale. Prices range from $30 to $500.

2020

  • THE ASBURY X TRANSFORMER

    Victor Koroma
    Spin Concept Series
    October, 2020

    Transformer is thrilled to grow our partnership with The Asbury Hotel in support of emerging visual artists. The presentation of Victor Koroma's Spin Concept Series builds upon The Asbury Hotel's support of Transformer's Siren Arts summer residency progam & performance art series, featuring an evolving & diverse roster of dynamic emerging visual artists based within the northeast corridor of Washington, DC to NYC.

  • Mapping the Future World

    A Sister Cities Project Presented by Transformer
    SISTER CITIES EXCHANGE: MAY – AUGUST 2020
    ONLINE EXHIBITION: AUGUST 17 – SEPTEMBER 12, 2020

    Mapping the Future World – a Sister Cities project supported by the DC Commission on the Arts & Humanities. Connecting Korean and DC artists through a series of online conversations & digital communications, Mapping the Future World is building dialogue, connectedness, inspiration, insight and artwork to make sense of, and move forward in, this uncertain and unprecedented time.

    Mapping the Future World is supported by a grant from the DC Commission on the Arts & Humanities’ Sister Cities International Art Grant.

  • SUMMER PROGRAM REPLAY

    September 2 – 12, 2020

    As we approach fall, Transformer takes a look back at our innovative summer 2020 programs through a special Summer 2020 Replay Showcase.

    Tune in here from September 2 through September 12, to explore our summer 2020 series of artist exchanges, conversations, performances, new artworks, and collector views - all supporting emerging artists and engaging audiences in new & best practices in contemporary visual art.

  • Radical Plywood

    July, 2020

    As part of Transformer's mission to support artists, and in our continued efforts to be nimble and responsive to our DC community, we are honored to support Radical Plywood, an initiative of Radical Empathy, an events and activations startup created by DC resident Tarek Kouddous that targets underutilized and vacant spaces around the District. Radical Plywood is a direct response to DC businesses who boarded up their storefronts the first week of June amid protests against anti-black racism and police brutality. Seeking to fill the community with radical messages of hope and build awareness and voice for people aren't having their voices heard, Transformer collaborated with Logan Circle Main Street to provide artist honoraria for murals created throughout Transformer's Logan Circle neighborhood by artists: Leila Spolter, Timothy Cunningham, Musah Swallah, Ragda Noah, Francesca Lee Falvo, Zoe McCarthy, Dominique Homza, and Kelly Towles.

  • ARTISTS SUSTAINING ARTISTS FUND

    June - July, 2020

    Mindful of the unique hardships emerging artists – and in particular emerging Black Artists and Artists of Color – face as a result of the COVID-19 pandemic, Transformer is providing need-based, unrestricted relief grants of $500 to 20 emerging artists in DC experiencing financial hardship due to the pandemic.

    —— APPLICATION CLOSED——

    Deadline to Apply | Sunday, July 5 at 11:59pm EST

    Practicing emerging visual artists living in the DC Metro Area (DC, Arlington, Alexandria, Fairfax, Montgomery or Prince George’s counties) are eligible to apply. Applicants must be 21 or older and able to receive taxable income in the United States regardless of their citizenship status.

    RELIEF GRANT FUNDS will be distributed to selected artists beginning July 13.

    The applicant review committee includes Artists Sustaining Artists participating artist Zoë Charlton, Transformer Board Member Sheldon Scott, and Transformer Co-Founder & Executive/Artistic Director Victoria Reis.

    Support for the relief grants come from Transformer's Artists Sustaining Artists Program. As Transformer Board & staff continue to grow support for this initiative, Transformer will be able to offer this funding to more artists.

  • Artists Sustaining Artists

    June, 2020

    MEDIA: Press Release

    Transformer is proud to present Artists Sustaining Artists, an initiative intended to provide financial support to emerging artists negatively impacted by COVID-19. This initiative is being led by Transformer Board and staff, with artworks curated by Transformer Board Members Christopher Addison of Addison/Ripley, artist Sheldon Scott, and Transformer’s Executive & Artistic Director Victoria Reis.

    Selected artists who are sustained in their careers have been invited to donate an artwork that will be sold to support their emerging peer artists.

    All sale proceeds will support Transformer and the emerging artists the organization serves. 70% of sale proceeds will be distributed to emerging artists in the form of unrestricted microgrants and artist honorariums. The remaining 30% of sale proceeds will go toward supporting Transformer operations. This initiative will support the DC creative community. All participating artists generously donating artworks are DC-based, and funds will go towards supporting DC-based artists.

    All participating artists generously donating artworks are DC-based, and funds will go towards supporting DC-based artists. Thank you to the following artists for donating their artwork:
    Christopher Baer
    Julia Bloom
    Thomas Bunnell
    Zoë Charlton
    Frank Day
    Tim Doud
    Carol Brown Goldberg
    Mira Hecht
    Max Hirshfeld
    Imar Hutchins
    Dean Kessmann
    Micheline Klagsbrun
    Isabel Manalo
    Tom Meyer
    Chris Mills
    Nan Montgomery
    E. Brady Robinson
    Jennifer Sakai
    Sheldon Scott
    Luis Silva
    Lou Stovall
    Dan Treado
    Julie Wolfe
    Trevor Young

  • Artist On-Line Caravanserai

    March 22 - May 30, 2020

    Transformer’s Artist On-Line Caravanserai initiative expanded upon Which Yesterday is Tomorrow? concepts of gathering people for exchange of ideas. Transformer invited 11 artists to take over our Instagram story to visually share their insight, ideas and inspiration toward building connectivity.

    Many thanks to Artist On-Line Caravanserai participating artists: Dahlia Elsayed & Andrew Demirjian, Andrea Polichetti, Alexis Gomez, Sheida Soleimani, Michelle Luong, Aristeidis Lappas, DJ Nikilad, Samera Paz, Helene Garcia, and Maps Glover.

  • PHONE CALL

    March 30 - April 3, 2020

    Phone Call brings together poets and artists in immediate response to the shutdowns surrounding COVID-19 in an effort to connect people during a time of isolation. Inspired, in-part, by the late John Giorno’s Dial-a-Poem, Yoko Ono’s Telephone Piece, and Nigel Shafran’s series Ruth on the phone, Phone Call aims to reconnect people within intimate space of a phone call on a 1-to-1 level. Participants can sign up to be read to and hold conversations with poets and artists over the phone.

    Conceived by Ginevra Shay, Phone Call is part of the nomadic project Rose Arcade, and supported by Transformer. Through Phone Call, Transformer will be providing funding to more than 20 artists, and connection to more than 200 participants.

    With your support, our goal is to grow this program, funding more artists and providing Phone Call more people in the community.

  • Transformer Presents: Rachel Schmidt’s Vanishing Points, Curated by Dawne Langford at SPRING/BREAK

    SPRING/BREAK Art Show NYC 2020, In Excess

    March 4-9, 2020 11am-8pm
    Room 1136
    625 Madison Avenue New York, NY 10022

    Vanishing Points is a multimedia installation incorporating projected video and sculpture created with a mass of single-use consumer items which responds to this year's SPRING/BREAK curatorial theme, In Excess. The work embraces a baroque style established 450 years ago - noted also as the duration that it takes for plastic consumables to biodegrade. This aesthetic equates opulence with exalted divinity and culturally significant as a symbol of wealth and power, or the desire for it. This value system has permeated our daily lives as conspicuous consumption accelerates the certainty of our destruction. The installation further includes a soundscape composed by the musician and artist kev.om.era (Kevin O'Meara), creating a fully immersive experience.

    Rachel Schmidt is interested in futuristic visions of a world without a natural ecosystem, where synthetic biology governs how people relate and coexist. Her work explores how a vanishing ecosystem will manifest itself in the awareness and scarcity of material use. She uses time-based media and installation to explore urbanization and its impact on ecosystems, future landscapes, and the role that myth plays in our understanding of the environment. Rachel received her MFA from the Maryland Institute College of Art. She has exhibited throughout the US and internationally, and has been reviewed in Sculpture Magazine, Washington Post, and numerous other print and online publications. She is an installation artist based in Washington, DC.

2019

  • Transformer Co-Presents Hoesy Corona’s Climate Immigrants at Superfine! Art Fair

    October, 2019

    Climate Immigrants (2016-present) is a multimedia installation and performance by artist Hoesy Corona that considers the impending plight of climate-induced global migration and its effects on people of color. The performers wear “climate-ponchos,” which feature vinyl cutout silhouettes that display a long-distance exodus of displaced communities of people. The interactive objects are adorned with images that depict the archetypal “traveler,” the subjects are portrayed while in unilateral transition, wearing backpacks and hats, carrying suitcases and holding children. The viewer witnesses the silent movements of anonymous persons in context with sound and video which conceptualizes the nuanced experience of migrant travel that is initiated by climate change and environmental injustice.

    Hoesy Corona (b. 1986 Guanajuato, Mexico) is an emerging and uncategorized queer Mexican artist living and working in the United States. His work is executed across various media while considering what it means to be a queer latinx immigrant in a place where there are few. His performances and installations oftentimes silently confront and delight viewers with some of the most pressing issues of our time. Reoccurring themes of queerness, race/class/gender, nature, isolation, and celebration are present throughout his work.

    He lived in Mexico, Utah, and Wisconsin, before moving to Baltimore, MD in 2005 to establish a professional practice in the arts. He is a recent Halcyon Arts Lab Fellow 2017-2018 in Washington, DC and is a current George Kaiser Family Foundation Tulsa Artist Fellow in Tulsa, OK. He splits his time between Baltimore and Tulsa.

  • CAMP at The LINE Hotel DC

    SUMMER 2019

    CAMP at the LINE is a rooftop event series from James Beard Award-winning Chef Spike Gjerde and Corey Polyoka of A Rake’s Progress. An escape from the city, CAMP takes inspiration from Summer and Fall travels with friends and family, downtime well spent over local food, local beers, and the LINE's panoramic rooftop view of Washington, DC. The bar will be cold, the snacks will be endless, and with morning, afternoon, and evening hours in full effect, CAMP at the LINE is something to write home about.

    CAMP is held in support of a lineup of The LINE's favorite community and cultural organizations, with $5 per guest going towards their work and mission. Your CAMP dues cover this donation, as well as endless passed snacks during the event from the team behind A Rake’s Progress.

  • Hill Prince x Transformer

    APRIL 10, 2019 - JUNE 12, 2019

    Hill Prince
    1337 H Street NE
    Washington, DC 20002

    Transformer is excited to partner with Hill Prince in presenting an exhibition of works curated from the Transformer FlatFile program, with additional works by emerging DC area artists. Join us the 2nd Wednesday of each month, April 10 - June 12, at Hill Prince for Transformer FlatFile Happy Hours to meet and mingle with Transformer artists, staff, and supporters. 10% of all bar sales will benefit Transformer!

    Artists include: Eames Armstrong, Margaret Bakke, Amy Boone-McCreesh, Tacy Bradbury, Jessica Cebra, Artise Fletcher, David R. Ibata, Rose Jaffe, Christopher Kardambikis, Joseph Orzal, Ding Ren, MichaelAngelo Rodriguez, Johab Silva, Farrah Skeiky, Hannah Spector, & many more!

2018

  • UNSETTLED: An Afternoon of Performance Art

    October 31 – November 4, 2018

    Union Market’s Dock 5

    Transformer is pleased to present UNSETTLED – a performance art series curated for "Superfine! The Fair by Victoria Reis, Founder and Director of Transformer. UNSETTLED features performances by a select group of leading DC based emerging artists – Hoesy Corona, Rex Delafkaran, Maps Glover, Kunj, and Tsedaye Makonnen – each of whom are pushing performance art forward with their innovative, interdisciplinary work.

    Previously presented in Miami and New York, with upcoming manifestations in Los Angeles, "Superfine! The Fair – created in 2015 by James Miille, an artist, and Alex Mitow, an arts entrepreneur – makes its DC premiere October 31 to November 4, 2018, at Union Market’s Dock 5 event space, featuring 300 visual artists from DC and beyond who will present new contemporary artwork throughout 70+ curated booths. "Superfine! The Fair also features emerging collector events, tours, film screenings and panels. superfinedc.eventbrite.com

    Always seeking new platforms to connect & promote DC-based emerging artists with their peers and supporters, and new opportunities to increase dialogue among audiences about innovative contemporary art practices, Transformer is excited to present UNSETTLED at "Superfine! The Fair UNSETTLED curator and Executive & Artistic Director of Transformer Victoria Reis states: “"Superfine! The Fair at Union Market’s Dock 5 presents an opportunity for Transformer to advance our partnership based mission, expand our network, and further engage with a growing new demographic of DC art collectors and contemporary art enthusiasts. UNSETTLED highlights a select group of dynamic, DC-based emerging artists at the forefront of quickly evolving performance art practice, who are representative of the vibrant creative energy Transformer works to cultivate throughout our exhibitions and programs.”

  • Crochet Jam with Ramekon O’Arwisters

    Summer 2018

    Farragut Square Park
    17th & K Street NW, Washington, DC

    Transformer is honored to present Crochet Jam – a social practice art initiative created by San Francisco, CA-based fiber & textile artist Ramekon O’Arwisters in 2012, to engage audiences in the role of art within the community and the power of art within society. A public, art-making event that's embracing and inclusive, with no attempt made to dictate the creative process nor judge the finished project – Crochet Jam is a meditative, liberating, and empowering participatory experience.

    Crochet Jam is rooted in artist Ramekon O’Arwisters’ cherished childhood memory steeped in the African-American tradition of weaving, in a calm and non-judgmental environment without rules or limitations: “When I was growing up in North Carolina, I helped my paternal grandmother, Celia Jones Taylor (1896–1982) make quilts. Quilt-making with her is one of my fondest childhood memories. With her, I was embraced, important, and special. I was a little black boy hiding my queer self from my family during the harsh reality of the Jim Crow South during the 1960s, and before the turbulent years of the Civil Rights Movement that spread throughout the country.” – Ramekon O’Arwisters. Ramekon decided to start a community art project that enables groups of people to collectively work on a piece of art with a focus on relaxation and human connection, done in public with strangers.

  • Platforms Project

    Independent Art Fair
    MAY 2018
    Athens, Greece

    Transformer is proud to feature artists Hoesy Corona, Rex Delafkaran, & Kunj at the 2018 Platforms Project: Independent Art Fair in Athens, Greece! Presenting 2D, 3D and performative works from each of the three artists in booth #28 during the weekend of May 18-20, 2018.

    Through the support of the DC Commission on the Arts & Humanities Sister Cities grant award, Transformer expands upon our comprehensive international artistic & cultural exchange programming to achieve creative and professional growth experience for the participating DC artists to advance their artistic careers and expand their international contemporary art audiences.

    Through the development of relationships with artists and art spaces in Athens, Greece, as well as developing relationships with internationally based peer artists, art spaces, and galleries participating in Platforms Project, Transformer is proud to provide these DC artists access to an understanding of new and best practices within the global contemporary visual arts field, while developing relationships that will propel them in their artistic careers.

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2017

  • Shadow/Casters

    JUNE 10, 2017
    Hirshhorn Museum and Sculpture Garden

    The Hirshhorn Museum and Sculpture Garden will partner with local arts organization Transformer to present Shadow/Casters, an after-hours performance art event on the Hirshhorn’s outdoor plaza Saturday, June 10, 7:30–11 p.m. Guests will be invited to explore the museum during special extended hours, enjoy a cash bar and music on the plaza, and take in four site-specific performances that creatively explore abundance, transition, and community through contemporary storytelling and ritual.

    Coinciding with Transformer’s 15th anniversary and the approaching summer solstice, Shadow/Casters features one-night-only performances by Washington-based artists Jason Barnes (Pussy Noir), Alexandra ‘Rex’ Delafkaran, Kunj and Hoesy Corona. Music by Ebony Dumas aka DJ Natty Boom, with drumming by Devin Ocampo (the EFFECTS, Warm Sun) and Jerry Busher (Fugazi, French Toast).

  • COLUMBIA DIMINUENDO

    A New Work In 12 parts By The Holladay Brothers
    2017

    On the last Sunday of every month in 2017, a string quartet will convene in the shadow of the Capitol building to perform a new work by The Holladay Brothers entitled Columbia Diminuendo.

    The composition is a re-imagining of the piece ‘Hail, Columbia’, first performed at the inauguration of George Washington in 1789 and which served as the unofficial national anthem for years after. For each of its 12 renditions, the performers will be given revised sheet music containing fewer and fewer notes. Throughout the course of the year, the song will become increasingly abstract as the clarity of the original melodies begin to recede, eventually beyond recognition and finally, to silence.

2016

  • STAND UP

    Poster Making with Exile Books

    January 21, 2016

    Transformer was proud to partner with EXILE Books (Miami, FL) to distribute artist-made multilingual posters in support of The Women's March on Washington on Saturday, January 21, 2017.

2015

  • FlatFile at Fringe

    October 1- December 31, 2015

    Logan Fringe Arts Space
    1358 Florida Ave. NE
    Washington, DC 20002

    Transformer is pleased to partner with Capital Fringe to present FlatFile at Fringe, a monthly rotating exhibition of 2D works from Transformer’s FlatFile program October1 - December 31, 2015 at the new Logan Fringe Arts Space.

    With works priced between $50 and $500, Transformer’s FlatFile program is a fantastic way to start or expand your art collection and build relationships with some of DC’s best emerging visual artists. FlatFile works are available for purchase at Transformer's 1404 P Street, NW location on an on-going basis and at the Logan Fringe Arts Space (1358 Florida Avenue NE DC) location through Transformer’s online FlatFile Store.

    Launched in spring 2007, Transformer's FlatFile Program consists of works in a variety of two-dimensional mediums including photography, painting, drawing and printmaking, approximately 16”x20" in size and smaller. Created to support a broad range of emerging DC based artists in tandem with Transformer’s Exhibition Series, Transformer's evolving FlatFile collection features more than 200 original artworks and limited print editions and have been presented in art fairs and international exhibitions.

    FlatFile at Fringe Happy Hour Events

    Please join us for FlatFile happy-hour receptions at Capital Fringe’s Logan Fringe Arts Space with artists from Transformer’s FlatFile program on the first Thursday of each month!

    Thursday, October 1st, 6:30 – 8:00
    Thursday, November 5th, 6:30 – 8:00
    Thursday, December 3rd, 6:30 – 8:00

2014

  • (e)MERGE ART FAIR

    October 02 – 05, 2014

    Capitol Skyline Hotel - Room 230

    Transformer is proud to present new works on paper by FlatFile artists Megan Mueller, Ziad Nagy and Bonner Sale in Room 230 at the 4th Annual (e)merge art fair at the Capitol Skyline Hotel.

    Transformer’s FlatFile Program is an evolving collection of works in a variety of two-dimensional mediums including photography, painting, drawing, collage, hand silkscreens and prints approximately 16 x 20” in size and smaller. Featuring more than 200 works by mostly DC based emerging artists, the program includes artists that have exhibited with Transformer in the past and those who are new to Transformer. Works from the FlatFile have been featured in numerous international exhibitions and art fairs, and are available for viewing and purchase at Transformer on an on-going basis. Ongoing selections of FlatFile artworks are also featured and available for purchase at Transformer’s FlatFile Store on our website: http://www.transformerdc.org/artsale/overview

    For Transformer’s 4th year exhibiting in the (e)merge art fair, we highlight three exceptional FlatFile artists and their works on paper. In addition to their works currently in our FlatFile, each of the three artists Transformer will be presenting have created new work specifically for the (e)merge art fair. While each of these artists’ approaches are diverse, their combined abstract, fantastical, and conceptual aesthetics create a fluid dialogue between the works.

    (e)merge Exhibition Hours: Friday, October 3 and Saturday, October 4, 12-7pm, Sunday, October 5, 12-5pm.

2013

  • THREAD

    Friday, November 29 – Sunday, December 1, 2013
    UNION MARKET - DOCK 5

    Transformer is proud to present a diverse and energetic selection of work from the FlatFile Program at Thread, a three-day fashion and art experience in the newly unveiled Dock 5, directly above Union Market.

    Launched in spring 2007, Transformer's FlatFile Program consists of works in a variety of two-dimensional mediums including photography, painting, drawing and printmaking approximately 16x20" in size and smaller. Featuring more than 200 works by DC, national and internationally based emerging artists, the FlatFile program is open to both artists that have exhibited with Transformer in the past and those who are new to Transformer.
 Works from the FlatFile have been presented in art fairs, international exhibitions, exclusive FlatFile events, and are also available for viewing and purchase online and at Transformer's gallery space on an on-going basis.

    Transformer will be exhibiting FlatFile work: Friday, November 29 - Sunday, December 1: Friday, November 29, 1pm-8pm; Saturday, November 30, 11am-8pm; Sunday, December 1, 1am-5pm

    How to Find Dock 5:
    METRO: NoMA/Gallaudet (Red Line)

    Ride the Union Market Shuttle from the metro to Dock 5 during the event. Follow @unionmarketdc for updates
    DRIVE: Parking lot in front of the market

    1309 5th NE
    Washington, DC 20002

  • Lemuria: A Performance Art Party

    Transformer in collaboration with Animals & Fire present "Lemuria: A Performance Art Party"

    November 2, 2013 From 10pm-2:45am at Black Whiskey

    This one-night program plays with the intersection of religious ritual and the rituals of bar, club, and popular culture. The party is informed by the liturgy of All Souls Day, as well as the mundane ceremonial practices of popular culture we engage in an effort to exorcise our demons.

    Exploring rituals including: dance as exorcism, musical prayer, peer confessional, giving and receiving blessings, and filling oneself with the “spirit”, participating artists will use the bar as a temple to endow the practices of Communion, Sacrament, Sacrifice, Forgiveness, Bestowing of Rites, and Evangelism in the venue’s customary light.

    OPEN CALL: Animals & Fire is accepting performance art proposals for this event. There is minimal staging; spotlighting and access to a bar top are available to the artists.

    Artist honorarium will be provided by Animals & Fire via a micro-grant from Transformer.

    If you're interested, please email submissions by Friday, October 25th to AnimalsAndFire@gmail.com.

  • Strike Work at (e)merge

    Transformer presents Strike Work by US English
    (e)merge art fair
    October 3 - October 6, 2013

    Capitol Skyline Hotel
    10 “I” Street, SW Washington DC, 20024
    Room 204

    Transformer proudly presents Strike Work, a body of work by US English, the collaborative project of St. Louis, MO based artists James and Brea McAnally in Room 204, at the 3rd Annual (e)merge art fair. US English explores collective identity, spatial politics, and forms of protest through a diverse collection of text, sound, objects and interventions, often initiating large-scale projects in public space.

    Strike Work is a self-reflective meditation on the space of artistic production and exchange, positing the value of overlabor in the face of a fragile and changing terrain. Composed of an ambitious new performance, a series of feather and white marble sculptures, and a video installation, Strike Work places artistic time, labor and sacrifice as a site of potential transformation. The performative aspect to Strike Work will be presented in collaboration with a diverse roster of DC-based artists.

    The performance element of Strike Work explores the role of artistic time and labor as a means of transformation. Artists are often the marginalized center for the art world, for whom commercial success or sustainability is often out of reach, but without whom the rest of the structure is unable to function. Likewise, galleries across the world use lead bricks in order to prop up pedestals and plinths. The weight of the lead is an unseen force in stabilizing the structure, strategically placed out of view, but anchoring often invaluable works of art. During this performance, the artist is this stabilizing force within the broader art world, tying together the weight of the artistic action and the weight of the lead within a symbiotic structure.

  • Cult Fiction

    Transformer & Black Whiskey Present
    Cult Fiction: An Installation by Cheyenne Seeley & Zach Storm
    May 4-July 28, 2013

    At Black Whiskey, 1410 14th Street, NW

    CULT FICTION CLOSING RECEPTION & ARTIST TALK
    JULY 24, 6-8 PM

    Black Whiskey Grand Opening & Cult Fiction Debut: May 4, 7-9pm

    Snacks provided by Black Whiskey Carvery & Kushi, with additional bites by the Kushi-Moto Food Truck

    Featuring DJ Kid Congo Powers & DJ Ian Svenonius/Name Names

    Advancing our partnership-based mission to connect and promote emerging artists, Transformer is pleased to announce a special collaboration with our new Logan Circle neighbor Black Whiskey, a restaurant and mixed-use art space by chef-owner Darren Norris of Kushi Izakaya & Sushi Restaurant.

    As part of Black Whiskey’s grand opening, Transformer presents Cult Fiction, a large-scale mixed media installation by artists Cheyenne Seeley and Zach Storm. Combining Seeley and Storm’s harmonizing visual aesthetics, this expressive wall painting will feature colorful drawings, paintings, and collage both directly on the wall at Black Whiskey, as well as on works displayed on top of what is created on the wall. “Cult Fiction is an exercise in open-ended narrative,” say the artists, “The layering of imagery is meant to inspire a narrative relationship between images. The implied relationships can be read from any direction similar to graphic novel panels.” Seeley and Storm will attempt to pair down their work to an elemental visual language in order to create relationships that don't come with excess baggage. In acknowledgement of the difficulty and potential impossibility of this task, the artists use recognizable imagery as well as recognizable artistic techniques as a way of pushing the viewer along in whichever interpretation they choose.

    Following the launch of Cult Fiction 7-9pm on May 4, the celebration at Black Whiskey will continue 9pm – 2am, $10/person, with more great music by our friends: DJ Kid Congo Powers (founder of Gun Club, The Cramps, Nick Cave and the Badseeds, the Pink Monkey Birds), DJ Ian Svenonius/ Name Names (The Make Up, Weird War, Nation of Ulysses; Author of Supernatural Strategies for Making a Rock ‘n’ Roll Group & The Psychic Soviet), and a special performance by Deathfix – featuring Brendan Canty (Fugazi), Rich Morel (formerly of Bob Mould’s band), Devin Ocampo and Mark Cisneros of Medications & The Make Up, this hometown heavyhitting supergroup makes woozy psychedelic jams - and Paint Brush! For more information on the 9pm – 2am activities contact: Sasha Lord, SashaLord@blackwhiskeydc.com.

    About the Cult Fiction artists:

    Cheyenne Seeley received her BFA in 2009 from The University of Wisconsin-Stout and her MFA from the Maryland Institute College of Art in 2012. Like the half-year frozen tundra of the mid-western landscape from which she came, Cheyenne’s work is at once cold disorientation and vastly open, unassuming clarity. Working primarily in installation, utilizing drawing, painting, sculpture, and pre-fab readymade objects arranged in highly articulated and conceptualized themes, Sheeley is interested in creating environments where each element communicates with other aesthetic elements to create overarching themes and abstracted narratives, highlighting the singular narratives of each individual element.

    Zach Storm received his BFA from the Corcoran College of Art + Design in 2005, and earned his MFA from the Maryland Institute College of Art in 2012. Coming from a family of west coast engineers and car enthusiasts, Storm’s work is heavily influence by surface detail, objects of desire, and spatial illusion. Storm’s artwork has bee exhibited in galleries throughout the United States, Europe, and Japan. His paintings combine elements of pure abstraction with phenomenological experience. “Seductive, quick to appeal visually and slow to reveal themselves conceptually, my paintings combine the illusion of mechanically finished surfaces with careful hand labor, “ says Storm. His work demands that the viewer shift position in relation to the statically installed work of art, in order to incorporate movement and the play of light into the aesthetic experience.

    CULT FICTION DAYTIME EXHIBITION HOURS ARE BY APPOINTMENT ONLY. Please contact Julia Young at Transformer: 202-483-1102 or julia@transformerdc.org.

    All Cult Fiction press and sales inquiries should be directed to Transformer: 202-483-1102 or info@transformerdc.org.

    Image credit: Cult Fiction sketch, 2013, mixed media, Cheyenne Seeley & Zach Storm

2012

  • (e)merge Art Fair 2012

    Transformer features artists Mariah Anne Johnson, Andrew Kozlowski and Heather Ravenscroft + selected works from our FlatFile program in Rooms 201 & 202 at the 2nd Annual (e)merge art fair!

    Transformer is excited to present DC based artists Mariah Anne Johnson and Heather Ravenscroft, and Alabama based artist Andrew Kozlowski, in the 2012 (e)merge art fair. Each of these artists brings a unique approach to the idea of mapping with the new works they have created specifically for Transformer’s participation in (e)merge. Johnson’s dense stacks of perfectly folded bed sheets and pillow cases convey the idea of sedimentary mappings, while Kozlowski and Ravenscroft’s drawing and prints are reminiscent of deconstructed road and treasure maps. Kozlowski works directly with roadway imagery in screen-printing while Ravenscroft eludes to animal burrows and tracks in her ink and colored pencil drawings.

  • 1x1 by Office of Experiments at Transformer

    March 20 – July 1, 2012 at numerous sites and event based performances in the Federal District and surrounding areas in the former Union state of Maryland and former Confederate state of Virginia.

    With this project, Office of Experiments are creating a distributed artwork in which 1000 vials of symbolic tears, collected water from Japan, will be used to water some of the 3000 Cherry Trees donated to Washington, DC by Tokyo 100 years ago. A temporary lab at Transformer on P Street will display the 1000 vials, which will then be distributed by volunteers. Mapped and documented online, the distribution of these vials address both the intimacy and scale of this disaster that transgresses the territories of society and culture. Further information and limited edition prints will also be available at Transformer.

    A relational art piece and emotional catalyst connecting visitors with tsunami victims. Office of Experiments' temporary lab space at Transformer acts as a center of activity: offering prints to visitors in exchange for a donation to tsunami charities and displaying 1000 vials - symbolic tears collected from Japan. Volunteers will pour drops from vials, numbered and trackable online, as offerings of remembrance onto cherry blossom trees across the city. Further performative interventions at federal and global media sites throughout DC will be announced at www.the1x1project.com

    More about the Project: https://officeofexperiments.net/on-experiment/1x1project/ & https://nealwhite.org/1-x1-Project

    Curator: Steve Rowell
    Images: Neal White / The Office of Experiments

2011

  • (e)merge Art Fair 2011

    For Transformer's participation in (e)merge, a new art fair designed to "celebrate galleries, artists, artists' work and the creative process, and to create an energetic environment of collaboration and discovery," we will present new works by DC based artists Erin Boland, Jessica Cebra and Emilia Olsen in a site-specific, hotel bedroom installation.

    Each of these artists brings a unique approach to their medium. Boland's drawings and sculptures investigate the dissonance that allows us to explore our anatomies without the physical experience of looking at a dissected human body. Similarly, Cebra's photographic collages disassemble and reassemble glamour shots of women from high-end fashion magazines exploring the aesthetics of decadence and opulence. Olsen's mixed media works on paper revolve around the emotions that girls and women face as they grow out of adolescence and experience flaws, pain, love, sexuality and disappointment.

    In addition to the presentation of new works by these three artists, Transformer presented works from our FlatFile program.

    Transformer's participation in the (e)merge art fair has been generously sponsored by Comet Ping Pong.

2010

  • FIRE IN MY BELLY

    Transformer was the first organization to present "A Fire in My Belly" in a direct and immediate response to the Smithsonian's censorship of a 4-minute edited version pulled from the Hide/Seek exhibition at the National Portrait Gallery.

    Screened on a continual loop in Transformer's store-front window space on Dec. 1-2, 2010, and in honor of World AIDS Day & Day With(out) Art, Transformer is proud to have initiated early further dialogue around this work and its censoring.

    In addition to the initial screening of A Fire in My Belly, Transformer continued its efforts to promote dialogue around these events:

    December 2, 2010
    Transformer organized an artistic action for Dec. 2, 2010, in which 100 people marched to the steps of the National Portrait Gallery in silent protest of the Smithsonian's censorship of the work.

    Transformer issued a letter to the Secretary of the Smithsonian Institution, G. Wayne Clough calling on him to reinstate the work.

    December 3, 2010
    Transformer began showing the entire thirty-minute Wojnarowicz work in progress with unique permission from his Estate, and continued screening through February 4, 2011. Displayed on Transformer's storefront was the Day With(out) Art symbol and the following text:

    A Fire in My Belly
    Video by David Wojnarowicz (1954 – 1992)
    Created in 1987, Censored by the Smithsonian Institution 2010

    December 20, 2010
    In collaboration with writer/activist Catherine V. Dawson and Transformer, the Washington DC JCC hosted hide/SPEAK a conversation with Hide/Seek co-curator David C, Ward and others, to discuss the events that led up to the Smithsonian's removal of David Wojnarowicz's A Fire in My Belly video from the exhibition and the social and political implications of the situation. Click here for video of the event.

    January. 28, 2011
    Transformer co-signs a letter written by the National Coalition Against Censorship (NCAC) urging the Smithsonian Board of Regents to adopt policies upholding First Amendment principles.

    January 31, 2011
    Art+, with support from Transformer and the Museum of Censored Art, organized a protest at the Smithsonian Castle during the Board of Regents meeting, calling on the Smithsonian to remove Secretary Clough from office.

    Action March 26, 2011 - Culture Wars: Then and Now
    Transformer presented a day-long symposium in collaboration with the Corcoran Gallery of Art and the Corcoran College of Art + Design with talks and panels on censorship, arts activism, and arts funding.

2009

  • Videyo!

    Saturday, February 7, 2009
    Comet Ping Pong

    Videyo! is an artistic action/reaction to the intimately lit interior of popular pizza restaurant and after work hangout Comet Ping Pong. A home for after art opening celebrations, a venue to see bands, and place to meet friends, Videyo! accents Comet’s great vibe and good times, with participating artists creating video art interaction for Comet visitors and customers.

    Confronting the audience with large than life projected imagery, narrating with frame by frame image alteration, captivating with comedic collages, and hypnotizing with vibrant montages – Videyo! showcases a variety of video art work that reflect how the creative uses of this medium are as infinite as its technological advances.

2008

  • Bartering in the Land of Abundance

    August 26-28, 2008

    The Floating Lab Collective set up a series of objects within Transformer’s project space, encouraging visitors to take an object in exchange for an object they leave behind.

    To document and archive the exchanges, a Floating Lab Collective artist on site made quick drawings of each item and recorded its known history. Floating Lab Collective said: “The purpose of bartering in this instance is to subvert both its semantic value and the traditional context of the art object as mercantile in nature. This project places the object in a social interstice, basically removed from the law of profit by emphasizing the sociability of the object in the context of bartering.”

  • Moment of Zen: Meeting Buddha in the Road

    August 8-26, 2008

    John James Anderson's video work Moment of Zen: Meeting Buddha in the Road was featured in Transformer's storefront window. "In the video the protagonist focuses on his concept of nothingness – television static – and believes himself enlightened" says Anderson, " -- before realizing that the television and his concept is nothing more than a false Buddha." For more information about John James Anderson and to purchase DVDs of Moment of Zen: Meeting Buddha in the Road, please contact the artist directly at: johnjamesanderson@gmail.com

2007

  • The Grate Project

    September 15 – 30, 2007
    Kelly Towles

    Seeking to create large scale paintings that will exist in the public realm, from September 15 through September 30, 2007 Kelly Towles created murals that completely covered the roll-down security grates at One World Fitness, outside the artist studios at 926 N Street in Blagden Alley, and at the Black Cat nightclub. Re-vitalizing these grates into dynamic contemporary artworks, The Grate Project is intended to further dialogue about the nature of street art and public art work, while enhancing DC's street-scapes.

    The Grate Project was made possible through the support of the Creative Communities Fund - The Community Foundation of the National Capital Region, Transformer, One World Fitness, The Black Cat, and Furioso Development Corporation. Special thanks to Giorgio Furioso, Dante Ferrando, and Karim Steward for making The Grate Project possible.

  • Chance

    SEPTEMBER 07 – 29, 2007

    Chance is the latest project by Jane Jerardi - a new video-dance series and public art project that considers the luck of being in the ‘right place at the right time.' Focusing on everyday coincidences that go mostly unnoticed, but create beautiful relationships between diverse people, these eerie and beautiful dance videos will appear projected on the outside of buildings in downtown DC throughout the month of September. The idea of chance will permeate the way it is presented, with audiences happening upon the projected videos by chance, bringing startling and beautiful art to everyday places.

    Chance originated with a residency about dance improvisation and video at the School for Arts in Learning, a public charter school in DC, with a small group of 5th and 6th graders. Following this, Jane developed a set of video shorts—filming in unlikely locations including an old ballroom and city park benches with Brian Buck and Ginger Wagg.

    Direction - Jane Jerardi; Videography - Fernando Ortega, Michael Wichita; Performance - Brian Buck, Jane Jerardi, Ginger Wagg.

  • Sharon Cheslow & James Schneider

    August 11, 2007

    On Saturday, August 11 2007, Transformer presented a one-night-only performance by Sharon Cheslow and James Schneider. Cheslow and Schneider (aka Matterlink), who both emerged from DC's 1980's punk scene, fused their improvised sound and image work to create a "sonic image" performance. Appropriately, as they foud themselves in their native town at the same time, they confronted themes of "home" and "homeland."

    Sharon Cheslow is a musician/sound artist who uses guitar, electronics, objects and voice in songs, improvised noise and collages. She leads the collaborative group Coterie Exchange and has performed with Steve Kim (Silver Daggers), Elisa Ambrogio (Magik Markers), Christina Carter (Charalimbides) and Yellow Swans. UK label Curor will be releasing her trio with Liz Allbee and Weasel Walter in 2007. Recent works were at Switch on the Power! (Spain), Lincoln Center Out of Doors (NYC) and Telic Arts Exchange (LA). Based in San Francisco, she currently lives in LA.

    sharoncheslow.com | myspace.com/sharoncheslow

    Matterlink (aka James Schneider), vampler, performs a "live cinema", playing shots both found and filmed by the artist and re-sampling them (always with the original sound attached). He has been vampling since 2001, triggering these "affect pockets" which he transforms into raw, content-driven sound/image-scapes. In 1998, Schneider moved from his native Washington DC to Paris where he has been vampling since the year 2001, in collaborations and solo. He recently completed the science fiction feature length tone poem 1,2,3, Whiteout, starring cult actor Lou Castel, which premiered at this year's Rotterdam Film Festival.

    vampler.net/matterlink | jamesjune.info/matterlink

2003

  • Dialogue 04: Realizing an Action

    August 2 - 9, 2003
    Ingrid Hagerstrom

    The end of a four-part seasonal art action created for Transformer by artist-in-residence Ingrid Hagerstrom.

  • Dialogue 03: Fold

    Ingrid Hagerstrom

    The third installment of a three-part seasonal art action created for Transformer by artist-in-residence Ingrid Hagerstrom.

  • 192 Hours

    April 19, 2003 - April 26, 2003
    Organized with DC Hope Collective

    Featuring artists: Virginia Blanca Arrsueño, Bonnie Crawford, Chuck Sehman, Ben Tolman, Kelly Towles, & Partrick Young

2002

  • Dialogue 02: Dia de los Muertos

    November 2 - November 9, 2002
    Ingrid Hagerstrom

    The second of a four-part seasonal art action created for Transformer by artist-in-residence Ingrid Hagerstrom.

  • Dialogue 01: Thinking is Form

    Ingrid Hagerstrom

    The first installment of a three-part seasonal art action created for Transformer by artist-in-residence Ingrid Hagerstrom.